M.M., Baylor University
After graduating from Baylor, he pursued a professional career in theater and performed extensively throughout the Southeast and Midwest. His credits include Hello, Dolly! (Cornelius), Joseph and the Amazing Technicolor Dreamcoat (Joseph), Singin' in the Rain (Cosmo), Oklahoma (Will Parker), Foxfire (Dillard), Side By Side By Sondheim, and Annie (with Rue McClanahan). Other regional credits include Norman Petty in Buddy…the Buddy Holly Story (Apollo Theater); Ariel, the rollerblading robot, in Return to the Forbidden Planet (American Heartland Theatre); Johnny in The Cardigans (Plaza Dinner Playhouse, KC); and L.M. in several productions of Pump Boys and Dinettes. Timm has also entertained audiences throughout Alaska aboard Royal Caribbean's Legend of the Seas.
In 1997, after being nominated for a KC Drama Desk Award for Best Director, he settled into a corporate job in Chicago with Unum Life Insurance Company, first as a sales coordinator and then as an account consultant. During his 4 years in the corporate world, Timm continued to direct music, perform and teach private voice. He is a member of Kappa Delta Pi (National Education Honors Society), Alpha Psi Omega (National Theater Arts Honors Society) and Pi Kappa Lambda (International Honors Society in Musicology). He is also a member of the professional actors union, Actors' Equity Association, and is currently the Artistic Director of the Chicago Chamber Choir. At Rockford University, Adams teaches private voice, music theory, musical theater style and lit., conducts the Women’s Ensemble, Regent Singers and the Vocal Collective, and directs the music portion of Rockford University's main-stage shows.
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M.F.A., University of Massachusetts
Throughout his career, Hendry has worked at a variety of regional theatres on both coasts including the Old Globe Theatre, Champlain Shakespeare Festival, Tennessee Williams Arts Center, and New London Barn Playhouse. Here at Rockford University, besides teaching the courses in costume design and designing costumes for all the mainstage productions, he teaches in the musical theater program in addition to teaching a variety of other courses such as Introduction to Theatre, Performing Arts Seminar and Senior Seminar, as well as directing a production each year. Some of the favorite productions which he has directed include, Sweeney Todd: The Demon Barber of Fleet Street, Pericles, Rashomon, A Little Night Music, Phantom and Angels in America Part 1.
Besides his costuming work at the university, Hendry has designed for the University of Wisconsin at both Stevens Point and Madison where he collaborated with nationally syndicated cartoonist Nicole Hollander on a musical version of her comic strip Sylvia’s Real Good Advice. Regionally, Hendry has designed costumes for the Fireside Theatre, Circa’ 21 Dinner Playhouse and Little Theatre on the Square, (where he received a Herald Award for his designs for Babes in Arms). In the Chicago area, his designs have appeared on the stages of Northlight Theater (Everything’s Ducky, It Ain’t Nothing But the Blues- with Broadway director Randal Mlyer), Chicago Shakespeare Theatre (The Little Mermaid), Theatre at the Center (Gypsy, Grand Hotel), Drury Lane Water Tower Place (Grand Hotel), and Drury Lane Evergreen Park, where he designed 29 productions including; Alice in Wonderland, Sleeping Beauty, Sophisticated Ladies, Phantom and West Side Story and received two prestigious Joseph Jefferson Award nominations, (Chicago’s Tony Award) for his designs for Jerry’s Girls and Singin’ in the Rain.
Summer 2015, Maine State Music Theatre, A conversation with costume designer Jeff Hendry
M.F.A., Dallas Theater Center/Trinity University
Ms. Mogford is herself an accomplished actress and sought after director. She has won awards throughout the South for her innovative productions which are marked by naturalist acting and great attention to detail. She has directed throughout the South including Oklahoma Shakespeare, After-Dinner Players in Houston—where her production of The Importance of Being Ernest won awards for Best Play and Best Direction—and The Out-Of-The-Loop Festival in Dallas, Texas. As a director, she believes in the total vision of a work where all aspects perform together in a collaborative manner to enhance the overall impact of the theater. Her unique work in theater and education has been sought after by universities in Ecuador and Hong Kong. Currently, she has been heading an international team to develop the Paul Baker Idea Institute. This new institute is dedicated to infusing the integration of the arts and arts-based knowledge into the business, education and civic components of a community. This is an effort to develop more creative thought in today’s business and industry. The workshops and seminars demonstrate the international success that has been made by employing the innovative teaching techniques of theater pioneer, Paul Baker to the business, educational and civic entities. The purpose is to develop new ideas and directions for solving 21st century problems while fostering collaboration between artists, educators and CEOs of some of the world’s top companies.